Showing posts with label Tokyo Kosei. Show all posts
Showing posts with label Tokyo Kosei. Show all posts

Thursday, November 18, 2010

Tribute to Frederick Fennell: Bravo, Maestro! Encore!

Composer(s): Miscellaneous
Conductor: Frederick FENNELL
Orchestra/Ensemble: Tokyo Kosei Wind Orchestra
Label: Kosei Publishing Company
Catalog #: KOCD-3580
Format: CD
Time: 72:25 min
SPARS Code: DDD
















This recording contains the encores Frederick Fennell performed, with his beloved Tokyo Kosei Wind Orchestra. This CD was released posthumously, after the passing on of Frederick Fennell, who had been Principal Conductor of the world-class orchestra since January 1984, a position he served (later as Conductor Laureate in 1996) with distinction until his death in December 7, 2004. He was ninety years old.

Notes on recording:
At the beginning of tracks 2,7,8,13,14,15 and 16 conductor Fennell can be heard speaking in what he playfully described as "Maestro's Japanese" to tell the Japanese audience the title or give them a quick description of the encore they were about to hear.

Some minor background noise may be audible on this disc because the original masters were live and analogue recordings.

Friday, November 5, 2010

The Musical Legacy of Claude T. Smith - Danse Folâtre [Bankhead, Tokyo Kosei Wind Orchestra]

Composer(s): Claude T. SMITH
Conductor: James M. BANKHEAD
Orchestra/Ensemble: Tokyo Kosei Wind Orchestra
Label: Kosei Publishing Company
Catalog #: KOCD-0302
Format: CD
Time: 53:34 min
SPARS Code: DDD




















About the Composer
===============
Claude T. Smith was born in Monroe City, Missouri. He received his undergraduate training at Central Methodist College in Fayette, Missouri and at the University of Kansas. He composed extensively in the areas of instrumental and choral music and his compositions have been performed by leading musical organizations throughout the world. Having over 110 band works, 12 orchestra works and 15 choral works, he composed solos for such artists as "Doc" Severinsen, Dale Underwood, Brian Bowman, Warren Covington, Gary Foster, Rich Matteson and Steve Seward. Mr. Smith taught instrumental music in the public schools of Nebraska and Missouri.

He also served as a member of the faculty of Southwest Missouri State University in Springfield, Missouri, where he taught composition and theory and conducted the University Symphony Orchestra. Sacred music was also a deep love of Mr. Smith's as he directed a church choir for 5 years in Cozad, Nebraska, 10 years in Chillicothe, Missouri and nine years in Kansas City, MO.
Claude Smith

Smith's first band composition was entitled "World Freedom". His first published work, "Emperata" was published in 1964 by Wingert-Jones Music Inc., Kansas City, MO. This led to many other works being published by Wingert-Jones. In 1978, he also became a staff composer for Jenson Publications (currently Hal Leonard) and the educational consultant for Wingert-Jones. Claude T. Smith Publications, Inc. was founded in 1993 to publish works of Smith's which had not yet been released and works that had gone out of print.

Smith received numerous prestigious commissions including works for the U. S. Air Force Band, the "President's Own" U. S. Marine Band, the U. S. Navy Band, and the Army Field Band. His composition "Flight" was adapted as the "Official March" of the National Air and Space Museum of the Smithsonian Institute. His orchestra works include compositions for the Kansas City Youth Symphony, the South Bend Young Symphony, the Springfield MO Symphony and the 1981 Missouri All-State String Orchestra.

Claude T. Smith was active as a clinician and guest conductor throughout the United States, Australia, Canada and Europe. He received many awards for his contributions to music education and for his work in composition. He had been a constant recipient of the A. S. C. A. P. Composer's Award. Following his death, he was awarded the National Band Association Award (A. W. A. P. A.) Academy of Wind and Percussion Arts in 1988; an honorary Doctorate of Humane Letters from Central Methodist College in 1988, the Hall of Fame Award from the Missouri Bandmaster's Association in 1988, the Kappa Kappa Psi Distinguished Service to Music Award in 1989, the Hall of Fame Award from the Missouri Music Educators Association in 1992 and was awarded as School Director of the Year from the Christian Instrumentalists Directors Association in 1994.
Claude Smith

Mr. Smith was a member of the Music Educators National Conference, member and past-president of the Missouri Music Educators Association, National Bandmasters Association and the American Bandmaster's Association.

Mr. Smith passed away on December 13, 1987 in Kansas City, Mo. He had just completed conducting a Christmas Concert at his church. He was survived by his wife, Maureen Faye Smith and his daughter, Pam Smith Kelly. Maureen, Pam and her husband, Jim, founded Claude T. Smith Publications, Inc. in 1993 with the purpose of keeping the music and legacy of Claude T. Smith alive in the hearts of musicians world-wide.

Tuesday, October 26, 2010

Barnes: Fantasy Variations On a Theme By Paganini, etc, James Barnes, Tokyo Kosei Wind Orchestra

Composer(s): James BARNES
Conductor: James BARNES
Orchestra/Ensemble: Tokyo Kosei Wind Orchestra
Label: Kosei Publishing Company
Catalog #: KOCD-0301
Format: CD
Time: 57:25 min
SPARS Code: DDD

















(Text From Wikipedia)
About the Composer:
James Charles Barnes
(born September 9, 1949 (1949-09-09) (age 61) in Hobart, Oklahoma, U.S.) is an American composer.

Barnes studied composition and music theory at the University of Kansas, earning a Bachelor of Music in 1974, and Master of Music in 1975. He studied conducting privately with Zuohuang Chen. Since 1977 he has been a professor of theory and composition at the University of Kansas, where he teaches orchestration and composition.

Barnes is also a tubist and has performed with numerous professional organizations in the United States.

His numerous compositions are frequently played in America, Europe, Japan, Taiwan and Australia. The Japanese concert band Tokyo Kosei Wind Orchestra has produced 3 CDs to date with works of James Barnes.

He has twice received the American Bandmasters Association Ostwald Award for contemporary wind band music.

For my information click here http://en.wikipedia.org/wiki/James_Barnes_%28composer%29


Fantasy Variations On a Theme by Niccolo Paganini
======================================

As I could find no review on the web, I've made a personal account of the piece, pardon my amateurish lingo:

Fantasy Variations (on a theme by Niccolo Paganini), the theme being Caprice No. 24 in A minor from the 24 Caprices for Solo Violin. The piece is composed by James Barnes in 1989 for concert band.
The difficulty level is grade 5+ to grade 6 (American band difficulty standard).
This is considered to be an advanced level, usually performed by university levels and above.

It opens with the theme, highlighted by an oboe solo. After that, 20 variations on this theme are played through, thus the name.
Variation I: Basically the theme played, developed to include the entire ensemble, with melody played by the flutes and clarinets.
Variation II: A slower melody, played by the oboes and clarinets.
Variation III: The "Trombone Special." The first comic relief section. The 2nd and 3rd trombones (that's me) play two notes, followed by the 1st trombones playing a high, whiny, glissando, all muted. Four measures in, the contra-alto clarinet plays a very low melody. My personal favorite.
Variation IV: The flutes play a very fast dance-like melody.
Variation V: The next four variations are slow melodies played by various instruments. This one is oboes.
Variation VI: Bassoon.
Variation VII: Clarinets.
Variation VIII: Saxophones.
Variation IX: Speeds up again, melody carried by bass clarinet.
Variation X: Similar to IX, played by clarinets.
Variation XI: Very fast, Russian sounding melody played by trumpets.
Variation XII: Slower, foreboding melody played by trombones.
Variation XIII: Another good one, trombones and saxophones play a duet that sounds like boss music.
Variation XIV: A continuation of XIII. Hardly warrants its own section.
Variation XV: Comic relief #2. Tuba and baritone quartet. Have you ever heard tubas playing (trying to) sixteenth notes?
Variation XVI: This is my least favorite. Bland, boring, little distinct melody.
Variation XVII: Percussion solos. Very fast, very good sounding. Another favorite.
Variation XVIII: Similar to XVII, with flutes and oboes playing melody.
Variation XIX: Sets up the final variation, almost everyone plays the booming melody.
Variation XX: Same as Variation I, ending similar to the beginning.

The rest of the CD represents other various works by James Barnes that is often played by concert bands.